Clip Properties

Select a clip and the Inspect tab of the right column shows controls that fit that clip. Deselect and it shows the project's canvas settings instead. Different clip types show different tabs.

Which tabs you get depends on what you selected:

Transform

For anything visual: position (x and y), width and height, rotation, scale x and y, and opacity. This is how you place a logo, size a picture-in-picture, or nudge a title.

Four buttons sit at the top of the tab: Fit to canvas sizes the clip to fit inside the frame, Fill canvas sizes it to cover the frame, Center puts it in the middle, and Reset returns the whole transform to its defaults.

Every one of those values can be animated. Click the diamond next to a row to drop a keyframe at the playhead, then pick the easing for the segment: linear, ease in, ease out, ease in-out, hold, or a custom bezier you drag by hand. Five one-click bezier presets sit under the easing picker: Smooth, Ease out, Ease in, Snappy, and Anticipate.

A Clips row under the layout sections shows how many other clips and images are on the timeline; Apply layout to all clips copies this clip's position, size, rotation, flip, and opacity to each of them so a whole cut lines up in one step.

Ken Burns at the bottom has nine presets: Zoom In, Zoom Out, Push, Pull, Pan Left, Pan Right, Pan Up, Pan Down, and Drift. Clear Animation below them removes the scale and position keyframes those presets write.

Animate

The keyframe inspector. It lists every animated property with its keyframes, lets you step to the previous or next one, and copies the whole animation off one clip so you can paste it onto another.

Crop

Trim the frame itself: Left, Top, Width, and Height as fractions of the source, plus a Reset crop button.

Color

A full grade, running on the GPU and keyframeable like everything else.

Two controls in the tab header apply to the whole grade: Bypass turns it off without losing your settings, and Reset clears it back to neutral. Both are disabled until the clip actually has a grade. Under them, Copy grade puts this clip's grade on an internal clipboard and Paste → all clips applies it to every clip in the composition.

Below that sits a scope of the current frame, with four modes you switch between: Hist (histogram), Wave (waveform), Vector (vectorscope), and Parade.

The grade itself:

• Looks: eight presets (Teal & Orange, Golden Hour, Film Noir, Cool Morning, Vintage Fade, High Key, Moody Green, Punchy). Tweak one and save it as your own look to reuse across the project.
• LUT: import a .cube file and dial it in with a Mix slider.
• Basics: Exposure, Contrast, Highlights, Shadows, Whites, Blacks, Saturation, Vibrance, and Vignette.
• Temp / Tint: white balance.
• Curves: master, red, green, and blue.
• Lift / Gamma / Gain: colour wheels for shadows, midtones, and highlights.
• Qualifier: an HSL key so a change lands on one colour range only.

Audio

For video clips the tab opens with Speaker voice: the AI voice that reads this clip's script block from the Select panel. Choose (or Change) opens the same voice browser as the transcript: search, an Advanced settings pop-over with a Pace slider, Language, Accent, and Gender pickers, tone chips, Saved, ElevenLabs, and Google tabs, a preview and a bookmark on every voice, and an Apply to all clips switch that replaces every clip's voice at once. Generate the speech itself from the Select panel.

For video and audio clips: Volume from 0 to 200% with a dB readout, a Mute toggle, and Fade in / Fade out sliders. Speed lives in its own tab.

Speed

A slider from 0.1x to 4x with presets at 0.25, 0.5, 0.75, 1, 1.25, 1.5, 2, and 4x, plus a Pitch toggle: Maintain keeps voices sounding normal, Variable lets them shift with the rate.

Video clips also get a two-point Speed ramp, where you set a start and end rate (0 to 8x) and Klipeo sweeps between them.

The time remaps that replace the constant rate live on the clip's right-click menu on the timeline, not here: Reverse clip, Boomerang (ping-pong), Stutter (strobe), and Freeze frame at playhead. While one of the first three is on, this tab reads the state and prints a notice saying the effect owns the timing and you need to remove it to edit constant speed.

Blending

Set a clip's opacity and pick a blend mode for how it mixes with what's underneath. All the usual modes are here: normal, multiply, screen, overlay, darken, lighten, color dodge, color burn, hard light, soft light, difference, and exclusion.

Effects

Add effects to a clip and tweak their settings. Stack different types when you want to combine looks. Each type can be added only once per clip. There are nine visual effects: Blur, Brightness, Contrast, Saturation, Hue Rotate, Grayscale, Sepia, Invert, and Chroma Key for green-screen keying.

Audio and video clips also get an audio chain: Loudness normalize, Dialogue leveler, Stereo widen, and Convolution reverb, which takes your own impulse response file if you have one.

Masks

Limit where a clip shows using a mask: a rectangle, a circle, an ellipse, a polygon, or a Pen path you draw point by point. Polygon and pen masks stay editable. Drag the points any time. Each mask has its own feather for a soft edge, its own opacity, and an invert toggle to hide the masked area instead of revealing it.

Adjustment layers take masks too, which turns them into power windows: grade one part of the frame and leave the rest alone.

Zoom

Select a zoom region and you get its own tab: depth 1 to 6, and the focus point as x and y. Motion picks how the zoom moves: 2D zoom is a flat push in, 3D motion springs in and then drifts slowly. Focus mode is Manual for now. Auto cursor is there but disabled until cursor telemetry has been captured.

Text

The Text tab's own controls live on the Captions & text page. Text clips keep Transform, Animate, and Blending alongside it.

Enhance and restage controls

Two panels can appear above the tabs, before any of them. They only show on a clip that an AI pass produced, and both leave the original on the track below so nothing is destroyed.

Resolution enhance shows on a video clip that was upscaled, with the target (1080p or 4K) in its heading. A Strength slider from 0 to 100% blends the enhanced version against the original. Compare source flips to the untouched source and back (the button then reads Show enhanced). Revert enhance removes the enhanced track entirely.

Unshot-angle restage shows on a video or image clip that came out of a restage, with the variant kind in its heading. It works the same way: a Strength slider, Compare plate to check it against the original plate (Show variant to come back), and Revert variant to drop it.